La cueva de cristal (Trilogía de Merlín 1)

Como todos sabemos, el amor es peligroso. En el Valle de la Capa color Ladrillo ocurre igual: el amor es subversivo y est� prohibido. Tampoco puede existir la risa. Ese mundo es �rido, gris, como un inmenso p�ramo. Y sin embargo, un hombre y una mujer se aman. Las consecuencias no se hacen esperar.

La guerra, como toda situación límite, es una experiencia intransferible. Quien no participó en una no puede imaginarla cabalmente, apenas si puede vislumbrarla. Al mismo tiempo, toda guerra deja una marca imborrable. Ese trauma, a la vez singular y colectivo, clama por ser comprendido y restañado. Pietro Freschi, italiano que peleó en la Segunda Guerra Mundial, y Héctor Roldán, ex combatiente de la Guerra de Malvinas, fueron soldados y testigos y, luego de varios años, testimoniantes. Este libro recoge sus relatos en primera persona. Ángela Pradelli los escuchó en numerosas...

It was a time of tense emotion. Each was a surge with an almost uncontrollable excitement as the two men moved up the whole length of the riffled sluice. Neither uttered one single word. But they moved slowly on either side of the long, primitive, box-like construction, keeping pace, each with the other, as though in a mutual desire that such fortune as was theirs should be witnessed together, as though neither had courage to face alone the possibilities of this their first serious "washing." At each riffle the men paused. The more emotional of the two, Len Stern, thrust out a hand and...

The Near Witch is an old story told to frighten children. If the wind calls at night, you must not listen. The wind is lonely, and always looking for company. And there are no strangers in the town of Near. These are the truths that Lexi has heard all her life.