La guerra persistente

Sobre el libro: Este libro, primer ensayo dedicado a la presencia de lo sublime en la narrativa española contemporánea, se centra en algunas novelas de Tomeo, Vila-Matas, Sánchez-Piñol y Pérez-Reverte, con dos objetivos. En primer lugar, analiza críticamente una tradición intelectual que se ha servido de lo sublime para el entendimiento y estudio de la cultura ibérica y que ha tendido a enfatizar el exceso, el desgarro y la exuberancia. En segundo lugar, confronta otra que ha invocado, no lo sublime, sino su concepto opuesto y complementario: lo bello. Dicha cultura ha sido descrita...

El país de los niños perdidos. El terror fascista. El terror revolucionario. La guerra. La victoria.

La presente obra analiza la posición adoptada por México y Venezuela en las Conferencias Panamericanas celebradas a inicios del siglo XX en Ciudad de México (1902), Río de Janeiro (1906) y Buenos Aires (1910) y muestra los vínculos y relaciones de estos dos países latinoamericanos con Estados Unidos. A través del estudio de estos tres foros multilaterales se revela el grado de cooperación regional alcanzado, así como las tensiones y desacuerdos continentales existentes entre dichos países, que a fin de cuentas se expresaban en el interior de las conferencias e incidían en la firma...

Jorge Garcia Montes was born in New York, United States, on october 19, 1898. His father, Jose Maria Garcia Montes, was exiled during the war of Cuba's independence against the Spaniards. Later, he became the first Secretary of Finance in 1902 with the first President of the Republic of Cuba, Tomas Estrada Palma. He studied at the University of Havana, where he graduated with a Law degree in 1917. An eminent student, he recieved several awards, among them the Lanuza prize. Elected to the House of Representatives from the Province of Santa Clara, Garcia Montes was a member of the Liberal...

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute...