Cien tangos fundamentales

Tango, trips, Paris, the United States, victory, women, feuds, friends and naturally, Buenos Aires are some of the issues that Oscar mentions in this moving and peculiar biography. There are numerous photographs and appendixes that cover all his works.

El Manual contiene un conjunto de canciones y ejercicios que han sido elaborados a la luz de necesidades pedagógicas en la enseñanza de la lectura musical y práctica auditiva de nivel básico. Cada canción genera un módulo de trabajo con contenidos preferentemente rítmicos y melódicos posibles de ser abordados en etapas. Ambos aspectos, en ocasiones combinados con otros elementos musicales, se presentan integrados en la canción y están trabajados en los ejercicios preparatorios. Los textos de los ejercicios rítmicos corresponden a extractos de poemas de artistas hipanoamericanos,...

This approach to woodwind instruments is centered on effectiveness, helping each musician maximize the time they invest in study in order to reach the technical level where they can easily express themselves through the instrument. The primary goal of this approach is to encourage reflection about what a musician wants from their instrument, what their aspirations are, and the best way to achieve them.

Este libro representa un enorme aporte a los estudios de música peruana, en sus páginas están presentes las múltiples escenas musicales de un país multicultural como es el Perú.

Recognized as the most significant composer from New Spain in the early eighteenth century, Manuel de Sumaya (ca. 1678–1755) oversaw musical activity at Mexico City Cathedral during a time of stylistic change. Sumaya, who was locally born and ordained as a priest, wrote music that mixes the counterpoint and rhythmic vigor of seventeenth-century Hispanic music with more modern Italianate gestures prescient of international taste in the eighteenth century. This edition of all thirty-four villancicos with music by Sumaya conserved in the Estrada Collection at Mexico City Cathedral reveals the...