Diálogos con Lucifer. El entrevistado N°39

Balaguer, 1938. The Civil War rages furiously across the Segre, but Xavier feels safe and each day he takes his bicycle out to explore the town and its surroundings. In one of his trips he meets Matthew, a sixteen-year-old boy who is the son of an anarchist and is about to join the front. When Xavier, son of an engineer under the order of Franco, discovers the secret weapon that helped his father prepare to wipe out the Republican side, it will pose the most critical dilemma of his life.

It's the future, robots have eliminated humans, and 12-year-old robot XR_935 is just fine with that. Without humans around, there is no war, no pollution, and no crime. Every member of society has a purpose. Everything runs smoothly and efficiently. Until the day XR discovers something impossible: a human girl named Emma. Now, Emma must embark on a dangerous voyage with XR and two other robots in search of a mysterious point on a map. But how will they survive in a place where rules are never broken and humans aren't supposed to exist? And what will they find at the end of their journey?...

Las profec�as anuncian una nueva era con la ca�da de Kyrt�nebre, el gran drag�n, y el nacimiento del Rey. Tras el ataque de los gramas a la ciudad de Glaucia, la princesa Adariel iniciar� la traves�a para llegar a Mankeirogps y a la ciudad de R�vano, donde encontrar� a su mentor, quien le ayudar� a descubrir los secretos sobre la leyenda de la espada de la Alianza y con ello defender el honor de su padre y sus antepasados. ENGLISH DESCRIPTION After the attack of the gramas to the city of Glaucia, Princess Adariel will begin the journey to reach Mankeirogps and the city of...

Jorge Luis Borges creía que en los cuentos de Nathaniel Hawthorne se inaugura el modo particular de ensoñación del cual surgirá el lenguaje oceánico de Herman Melville, las pesadillas de Edgar Allan Poe y las alucinaciones de William Faulkner. De hecho, cuando se les pidió a seis escritores argentinos que nombraran sus relatos predilectos, Borges escogió sin vacilar el “Wakefield” de Hawthorne, una “breve y ominosa parábola” que prefigura el mundo de Kafka, autor que a su vez “modifica y afina la lectura de ‘Wakefield’”.