Jorge Eduardo Eielson

Algo pasa en nuestra sociedad cuando palabras como producto, consumo o rentabilidad son parte de la definición de literatura. Ramón Acín reflexiona sobre este cambio sociocultural de percepción y sensibilidad artística que ha desembocado en una literatura del no-conocimiento, en la búsqueda del placer a través del entendimiento sin profundidad.

Colombia produced one of the richest literatures of Latin America, as much for its abundance as for its variety and innovation during the 19th century. This value has been unknown due to subsequent writers and critics that rejected the importance of this literature and influenced readers to ignore this literary production as noteworthy. In the same way, this lack of recognition has been perpetuated by the absence of information of the literary works produced during the 19th century and has hampered the investigation and research of new generations of readers. Therefore, this Bibliography of...

El corpus PerLA ("Percepción. Lenguaje y Afasia"), sorgeix en l'àrea de Lingüística General de la Universitat de València com a resposta a la necessitat integrar l'estudi de les patologies lingüístiques en les tendències actuals de la pragmàtica i la lingüística de corpus. Per a satisfer les exigències d'aquestes disciplines i disposar de dades amb validesa ecològica, s'han realitzat gravacions a diferents parlants amb afàsia, en un context que intenta allunyar-se de les convencions pròpies de l'entrevista per a aproximar-se, en la mesura que es puga, a les interaccions...

A critical edition of the original version of Calderón’s masterpiece, based on the text contained in the Zaragoza Parte (1636). Now republished for the first time since the seventeenth century, the "Zaragoza" version is preceded by a lengthy introductory study in which Ruano offers important evidence and new deductions convincingly to establish that Calderón wrote two versions of La vida es sueño (Life’s a Dream): a first version – the "Zaragoza" play, written probably before 1630 and primarily for performance – and a revised version (1635) for publication in the "Primera parte" of ...