La laguna de los villanos

The Myth of the Non-Russian explores the magical realist prose of two non-Slavic authors writing in Russian in the Soviet Union in the 1970s-1980s. Erika Haber argues that these authors juxtaposed their native myth with Soviet myth, thus undermining the Soviet prescription of national conformity in art by suggesting a plurality of worlds and truths.

Esta obra, destinada a los estudiantes de historia y a los interesados en el tema, abarca un amplio periodo cronológico, comenzando por la conquista islámica y hasta el momento en el que la Península Ibérica queda dividida políticamente en los cinco reinos que habrían de marcar la etapa siguiente, conocida como Baja Edad Media. Cada capítulo de la obra se dedica a un siglo aproximadamente, alternando los reinos cristianos y al-Andalus, para proporcionar una idea clara de la evolución en el tiempo de las instituciones, formas de vida y dinastías de cada una de las sociedades, así...

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute...

David Roberts, nacido en Denver (Colorado) y graduado en al Universidad de Harvard, es autor de siete libros, entre los que destacan The Mountain of My Fear y Jean Stafford. A Biography. Es colaborador habitual de las revistas Men ́s Journal, Outside, American Photo, Smithsonian, Atlantic y National Geographic, entre otras publicaciones.