La mujer en la Sevilla de finales de la Edad Media

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute...

A pesar de la importancia de la empresa y su rol social en el desarrollo de nuestro país, no existe una tradición que permita acceder a su historia y evolución. El análisis sobre el rol de los empresarios como sujetos y de las empresas como organizaciones sociales resulta relevante para entender el Chile actual. La historia empresarial en caso alguno pretende ensalzar la figura del empresario, sino más bien entender cómo los mismos, o sus empresas, se comportan. No existe en Chile una cultura empresarial que persiga preservar archivos y dar libre acceso a investigadores sobre su...

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute...

The Myth of the Non-Russian explores the magical realist prose of two non-Slavic authors writing in Russian in the Soviet Union in the 1970s-1980s. Erika Haber argues that these authors juxtaposed their native myth with Soviet myth, thus undermining the Soviet prescription of national conformity in art by suggesting a plurality of worlds and truths.