Guillén Landrián o el desconcierto fílmico

En 1997, para conmemorar los 450 anos del nacimiento de Miguel de Cervantes, en el mundo de la cultura se llevaron a cabo un gran numero de reuniones academicas, artisticas, de divulgacion, entre las que se incluyen estas Jornadas de investigacion. Los dias 13 y 14 de noviembre de 1997, investigadores de Mexico, Espana y Estados Unidos expusieron y discutieron los temas que menos atencion reciben en los estudios cervantinos: ediciones (planteamientos teoricos sobre la edicion critica de La galatea hasta el Persiles); bibliografias (repertorios de tesis, libros, hemerografia que ya se...

La Cerca,” Fenci's solo exhibition, opened at the state museum in Chihuahua City, Chihuahua, Mexico. The exhibition, which includes twenty-four ceramic pieces, a 5-foot-by-9-foot drawing and several smaller drawings, is the culmination of two years of work, both on the art and in negotiations with the museum officials. All of the works in some way or another deal with defense strategies, and so Fenci chose the Spanish translation for The Wall” as the exhibition's title. We build these elaborate structures that give us a sense of safety and protection, but the fact is, they're all...

The detailed interpretation of many of the universal artistic works defines a series of images, objects, situations, or actions that we see represented in them, describing the meaning of such motifs, many of which are related to mythology and classic culture, in terms of the artistic representation of human values, virtues and vices, senses, and more.

"En estos diez años La Resaca estrenó once obras: Tres Tristes Teatreros (1997), Guernica (1999), Las Fieras, sintesis de un momento (2001), Cabeza quemada (2002), La sangre más dulce que la sangre (2003), El gigante de Alberti (2003), El pan de cada día (2004), Dale, Dale, Dalí (2004), Tres (2005), Naranja (2006) y Corre (2006)"--P. 6.